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The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, by John Truby
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"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script."
―LA Weekly
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.
- Sales Rank: #8818 in Books
- Brand: Truby, John
- Published on: 2008-10-14
- Released on: 2008-10-14
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .88" w x 5.40" l, .51 pounds
- Binding: Paperback
- 464 pages
From Publishers Weekly
Teacher and screenplay doctor Truby (responsible for popular screenwriting software Blockbuster) brings his complicated but time-tested story development system to print for the first time, a 22-point process that's more thorough-"an extremely precise map of your entire plot" that "shows you the most dramatic way to tell your story"-but also more unwieldy than the traditional "three-act" technique. For example, the first seven steps Truby introduces apply to structure: develop "weakness and need" and "desire" in your hero, give him an "opponent" and a "plan" for overcoming that opponent, then throw in a "battle" that leads to "self-revelation" and, finally, a "new equilibrium." Chapters build on each other, fleshing out these steps with a number of terms and concepts (character types include hero, main opponent, ally, fake-ally opponent and fake-opponent ally) that alternate between cagey (the "character web") and confusing (the nearly indistinguishable "designing principle," "theme line" and "moral argument"). Further frustration arises in Truby's examples, old movies retrofitted with his techniques (most notably The Godfather and Tootsie) rather than a script that has actually been put through Truby's paces (or, even better, a new script invented just to demonstrate the steps). Following Truby's complex system may yield a memorable screenplay, but writers without great patience may find it more trouble than it's worth.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Truby attempts to inform the entire story, addressing plot, character, tone, symbolism, and dialog. The key here is to grow a script organically rather than force the story into preexisting mechanics . . . Highly recommended.” ―Library Journal
“A comprehensive guide to writing stories of all kinds, Truby's tome is invaluable to any writer looking to put an idea to paper.” ―Booklist
“The Anatomy Of Story is concrete and practical without resorting to simplistic 'Three Act Structure' screenwriting clichés. It will be an indispensable guide to writing your first great script. Then, the perfect survival manual to help you negotiate the often confusing, contradictory and cutthroat world of professional screenwriting.” ―Larry Wilson, co-writer /co-producer of BEETLEJUICE and co-writer of THE ADDAMS FAMILY
“A veritable bible for screenwriters.” ―Backstage
“If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [His lessons draw] epiphanies that make you see the contours of your psyche as sharply as your script.” ―LA Weekly
About the Author
John Truby is Hollywood's premier story consultant and founder of Truby's Writers Studio. He has worked as a story consultant and script doctor for Disney Studios, Sony Pictures, FOX, and HBO, among others, and has taught screenwriting to students worldwide.
Most helpful customer reviews
16 of 16 people found the following review helpful.
Best by far for novel or screen writers
By Mia Harrison
I have spent a lot of money on screenwriting and novel writing books. I have had recommendations for books that were different, or foolproof; formula based, character based, plot based, etc. In my experience, the screenwriting books do it better than the novel writing ones, but it still takes some searching to find something really useful. I first used John Truby's book for a screenplay I was writing. I followed the first few chapters religiously and discovered I was solving problems I didn't even realize existed, creating deeper characters and stronger arcs all as part of the process. It wasn't formulaic and didn't give me a standard plot, but it did adhere to a few fundamental truths about story and character that cannot be ignored. As with any book, you need to use your brain and alter the rules to fit your story, but trust me, don't stray too far. It's very easy for someone to think that their character or story is "too good" or "above" the rules of conventional story telling but trust me, even the most obscure stories follow this basic format (if they are any good). It gives you relatable examples from a variety of movies, and the exercises are actually practical (none of the tired clichés such as "write about an experience you had where..." or "tell a story using these key words as a starting point"). All the exercises are specifically designed to help you develop YOUR story, not just any random plot.
Because of the success I had with this method, I used the book again for planning my novel. Now, with a novel there are a few changes that need to be made. More happens in a novel, and of course things like "the audience reveal" are generally strictly cinematic tools and don't translate well to literature. However, I found the same successes with it for novel writing. Same problems being solved, same richness added to the plot and character.
I would recommend this book to anyone writing something with plot. I bought this originally in paperback and purchased the kindle version so that I could just carry around my iPad. Use in conjunction with your favourite other texts (I like Blake Snyder's "Save the Cat" beat sheet for pacing. I cross referenced this with my favourite novels from the genre I was writing in to find the appropriate pacing for the novel).
There is no such thing as a magic book that will make you a great writer, BUT if you have skills and a great idea, this will help you workshop and develop the idea to give you something you actually start writing.
4 of 4 people found the following review helpful.
Technical To the Nth Degree
By R. L. Herron
THE ANATOMY OF STORY is not for “pantsers” (writers who write without an outline). It’s an extremely technical manual for people who like to have their whole story, including every plot point, character change, motif and themeplanned out ahead of time.
I found it to be similar in many ways to Dr. Stanley D. Wiliam's treatise on the subject, THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.
The problem for me is, like Dr. Williams, Truby’s method strips story down to bare mechanics, bleeding all the life out of it. I found his method tedious, making things more complex than they need to be. He does show what elements all stories have in common. The problem is, he never explains how to put those elements into practice.
As an author, I'm glad I read it, but I'll probably never read it again.
4 of 4 people found the following review helpful.
22 Steps to Becoming a Master Storyteller
By a reader
Bought this on the recommendation of two writing friends and my regret is that they didn't speak up sooner. I've found all of Truby's advice and guidance useful, and quickly found his 7 Key Steps to Story Structure invaluable. My only quibble is a wish that I could understand the material better. There are insights which I grasped easily, but other sections that require squinting and pondering. Not because Truby makes the information difficult, but because I thought I knew more about story structure than I actually do. The book's subtitle, 22 Steps to Becoming a Master Storyteller, should be believed. If you are interested in mastering the craft of writing, then this book should be in your library.
Specifically what other writers may find useful is Truby's explanations of: character web, identifying story challenges and problems, four-corner opposition, and placing characters' values in conflict. There's a great deal more, but those topics have benefited me the most at this time.
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